Play Along Piano

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SDG

198. Mijn tijden, Heer, zijn in uw hand. The Lord's my Shepherd, I'll not want.

SDG

0:28	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		5	0	0	4	100%
Bas		10	0	0	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt		5	0	0	4	100%
Bas		10	0	0	4	100%
Sopraan		9	0	1	4	100%
Tenor		6	0	1	4	100%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

Stabat mater, Zoltan Kodaly

SDG

0:39	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		5	0	0	3	100%
Bass		10	0	2	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		5	0	0	3	100%
Bass		10	0	2	3	100%
Soprano		8	0	1	3	100%
Tenor		6	0	1	3	100%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		13	0	2	4	100%
		11	0	2	4	50%
Horn in F		6	0	0	4	100%
Oboe		6	0	0	4	100%
Soprano/Alto		14	0	2	4	100%
Tenor/Bass		22	0	4	5	100%
Viola		10	0	2	5	100%
Contrabass		18	0	3	3	45%
Violoncello		18	0	3	3	45%
Tenor		2	0	0	1	8%

80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).

SDG

0:52	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	4	4	100%
Tenor/Bass		23	0	5	4	100%
Soprano		1	0	0	1	5%

309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.

SDG

0:54	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		18	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		18	0	5	5	100%
Contrabass		13	0	2	5	50%
Bass		3	0	0	2	6%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	6	100%
Tenor/Bass		24	0	6	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	5	6	100%
Tenor/Bass		24	0	6	6	100%
Contrabass		17	0	4	5	46%
Alto		3	0	0	2	6%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		13	0	1	5	50%
Tenor		3	0	0	2	8%

51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.

SDG

0:44	Est. Play Time
15	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	4	4	100%
Tenor/Bass		19	0	5	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	4	4	100%
Tenor/Bass		19	0	5	5	100%
Contrabass		14	0	4	3	50%
Alto		2	0	1	1	13%
Bass		2	0	1	1	7%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		17	0	4	4	100%
Tenor/Bass		25	0	8	6	100%
Contrabass		20	0	6	4	50%
Alto		2	0	0	1	6%

17. Alle menschen müssen sterben. BWV 262, Johann Sebastian Bach.

SDG

0:49	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	4	100%
Tenor/Bass		13	0	1	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	4	100%
Tenor/Bass		13	0	1	6	100%
Contrabass		11	0	0	3	50%
Bass		2	0	0	1	19%

236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.

SDG

0:32	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		7	0	1	4	100%
		7	0	1	4	100%
Oboe		10	0	2	5	45%
		7	0	1	4	100%
Violin		11	0	2	5	45%
		7	0	1	4	100%
C Trumpet		12	0	1	4	95%
Soprano/Alto		15	0	3	5	95%
Contrabass		13	0	0	4	91%
Viola		13	0	3	4	91%
Violoncello		13	0	0	4	91%
Tenor/Bass		18	0	3	6	86%
Timpani		2	0	0	4	82%

20. Als der gütige Gott, BWV 264, Johann Sebastian Bach

SDG

0:30	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	6	100%
Tenor/Bass		16	0	2	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	6	100%
Tenor/Bass		16	0	2	7	100%
Contrabass		10	0	1	5	50%
Alto		3	0	0	4	18%

214. In dich hab' ich gehoffet, Herr. BWV 248 #46.

SDG

0:01	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	6	100%
Tenor/Bass		18	0	4	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	6	100%
Tenor/Bass		18	0	4	4	100%
Contrabass		14	0	3	4	54%
Violoncello		1	0	0	1	8%

112. Gott, der du selber bist das Licht. BWV 316.

SDG

0:59	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	5	100%
Tenor/Bass		22	0	6	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	4	5	100%
Tenor/Bass		22	0	6	4	100%
Contrabass		14	0	3	2	50%
Voice		3	0	0	2	16%
		2	0	0	2	11%

There is Power in the Blood. Daar is kracht in het bloed. Lewis E. Jones.

SDG

0:47	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	0	7	100%
Tenor/Bass		9	0	0	7	94%
Contrabass		5	0	0	7	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	0	7	100%
Tenor/Bass		9	0	0	7	94%
Contrabass		5	0	0	7	50%

341. Was Gott thut, das ist wohlgethan. BWV 99.6.

SDG

0:49	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		16	0	3	4	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	1	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		9	0	1	3	50%
Alto		1	0	0	1	6%

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